Resume

Last updated May 2022

THEATER

Acting:
Play, Role, Theater & Director

Much Ado About Nothing, Don John, Metropolitan Performing Arts, Kristin Heller
(Performance scheduled for summer 2022)

Hamlet, Ophelia/Fortinbras/Et al, Clever Enough, Self 

The Judge’s Wife, Peg, Clever Enough, Self

The Heidi Chronicles, Fran/Debbie/Molly/Betsy/Attendant, Majestic Theatre, Ellie Smith

Whack-A-Mole & Other Deadly Games, Mrs. White, PDX Playwrights, Karen Polinsky

Howard vs. Love, Becca, Majestic Theatre, New Play Showcase (no director).

The Rover, Stephano/Phillipo, Majestic Theatre, BreAnna Manassa

The Merry Wives of Windsor, John (servant to Mistress Ford), Majestic Theatre, Angeliki de Morgan

Johannas Carpathian’s Zoo for Second Chance Animals, Valerie, PDX Playwrights , Rebecca Petchenik

The Miracle Worker, Annie Sullivan, Twilight Theater Company, Doreen Lundberg

The Thanksgiving Play, Logan, Readers Theater of Gresham, Claire Soister

Hamlet, Ophelia, Clever Enough, Self

99.44 %,  Cheyanne Annie, PDX Playwrights , Robb Piggot

A Midsummer Night’s Dream, Hippolyta / Et al, Experience Theatre Project, Alisa Stewart

The Venetian Twins, Beatrice, Masque Alfresco, Fayra Teeters

The God Committee, Dr. Ann Ross, Twilight Theater Company, Joey Rivera

The Actor’s Nightmare, Meg, PSU, Jean Hiebert

The House of Blue Leaves, Second Nun, PSU, Glenn Gauer

Mountain Language, Elderly Woman, PSU, Edwin Collier

Three More Sleepless Nights, Dawn, PSU, Molly Parker

Sister Mary Ignatius Explains it all for you / The Actor’s Nightmare, Philomena Rostovich / Ellen Terry, New Century Players, Molly McDevitt

She Stoops to Conquer, Kate Hardcastle, Spirit on Stage, Jeff Rothenbach

Directing
Play/Company

Hamlet, Clever Enough

That Little Candle (Director and writer), PDX Playwrights

The Judge’s Wife, Clever Enough

What You Need, (Director and Writer), Clever Enough

Not Not Not Not Not Enough Oxygen, Clever  Enough

Homesick Symphony, PDX Playwrights

Ghosts, Readers Theater of Gresham

Hamlet, Clever Enough

Why Them? (Director and writer), PDX Playwrights 

Rhinoceros, Clever Enough

FILM

Title/Role/Director & Company (or location):

Pot Luck, Lead, Keith Shuman, Dragon Wehr Productions

Plot 10, Lead, Alex Harris, Time Gem Motion Pictures

Clogged Fury, Supporting, Josh Sonnenburg, So Wrong Entertainment

A Crappy Day, Supporting, Josh Sonnenburg, So Wrong Entertainment

Lost in the Summer Haze, Supporting, Spencer Mirabal, Portland, Or

Shallow Pursuits, Supporting, Trevor Morgan Doyle, Antipathy Films

Zen in the Art of Yardsailing, Supporting, ThUnderground Films, LA

The Monkey’s Paw, Supporting, ThUnderground Films, LA

TRAINING

Bachelor of Arts, Theater Arts, with a minor in Women’s Studies, Portland State University

The Studio NW, Acting for TV and Film for the Working Actor (current student)

Scansion: Breaking Down Shakespeare’s Words with Lauren Hanover, class offered through Portland Center Stage

Completion of Udemy course “Everything Shakespeare, The Basics”

Improv workshop, Brooke Totman

Intro to Voice Over class with Aaron Campbell

Voice lessons, Happy Valley Arts Academy

Directing Workshop with Rose Riordan, Portland Center Stage

Audition Workshop with Rose Riordan, Portland Center Stage

Multiple Acts with Matthew B. Zrebski (playwriting class), Portland Center Stage

Shakespeare the Dramatist course with Jean Elliott, London

Completion of Devon Allen’s Acting Sequence at PSU

AA Degree, Theater Arts, Los Angeles Valley College

Private scene study with Karen Kalensky, North Hollywood

ACHIEVEMENTS

Founder of Clever Enough

Winner of the American Association of Community Theatre Monologue Competition, 2009, performing Queen Margaret’s “A crown for York” speech from King Henry the VI, part III

SKILLS

*Intermediate in guitar, piano and tin whistle. Beginner in harmonica.

Intermediate in Fushigi Ball (a form of contact juggling)

Completion of lessons in the following accents: Irish, Yiddish, New York City, Scottish

First Aid/CPR/AED Certification (Adult, child and infant). Expires 2/2024

Special talent: the ability to come up with a rhyming couplet on the spot

*Update as of October 2021. Regarding guitar: I’m taking lessons with Happy Valley School of Music. I can play finger style, strummed chords, riffs, and I know some traditional folk songs, and some modern songs. I’ve made improvements on barre chords, and I’ve worked on articulation (slides, hammer ons, pull offs.), and improvising. I’m also taking piano lessons with Hoffman Music Academy, I’m on unit 12 of 15. I can play several classical songs (simplified versions, but I’m playing with both hands simultaneously). I can also improvise and I hope to learn some modern songs soon. In terms of reading sheet music, on a scale of one to ten, with guitar I’d say 5, with piano I’d say 6. Furthermore, I self-taught myself in tin whistle with a book and lessons on YouTube but it’s been a while. I’ve taken a few harmonica lessons.